Carried by the dance of Agathe Thévenot and the compositions of Olvo (Nicolas Allard), Je prends feu trop souvent (I Catch Fire Too Often) leads us through five scenes, each serving as a mirror held up to the inner world of adolescence. The Faun, a reimagined mythical figure, returns throughout the piece—not merely as a tribute to Nijinsky or Debussy, but as an embodiment of the urges, transformations, rough edges, and brilliance of the changes every human being can experience.
Here, dance is not something to be explained—it is something to be felt. It is lived like a piece of music heard for the first time: an inner rhythm, inhabited silences, impulses that burst forth. It invites the audience to dive into a state of total listening—a listening to movement, to texture, to intensity.
