First performed the 4th December 2024 at the Turbulences International Festival for Young Audiences at the Theater of Namur.
From 11+ years
Collective creation
Choreography:
CAROLINE CORNÉLIS
Scripting of motion and interpretation:
AGATHE THÉVENOT
Musical composition and interpretation:
NICOLAS ALLARD (OLVO)
Philosophical and dramaturgical accompaniment:
GILLES ABEL
Choreographic assistance:
COLIN JOLET
Lighting:
FRÉDÉRIC VANNES
Scenography:
CLEMENCE THIERY
Metal construction :
HELENE MEYSSIREL
Costumes:
PATTY EGGERICKX
Assisted by :
COLINE PAQUET
Direction with the help of :
JEANNE WINTQUIN
Poetic text:
LAURA VAZQUEZ
Title:
CHARLOTTE GOSSELIN
Production Support
AD LIB - SUPPORT D'ARTISTES
Thanks to:
JULIE BOUGARD, NOA HELL, CLEMENT GARCIA ET MAXIME LAMBER ALIAS NERF NOIR
Produced by compagnie nyash.
in co-production with CHARLEROI DANSE - choreographic centre of the fw-b.
WITH FINANCIAL SUPPORT of federation wallonia-brussels, dance department.
With the support of LA MAISON QUI CHANTE, cultural center of NAMUR, LE GRAND STUDIO, EKLA — scenic centre for children and young people, STUDIO THOR, LA RAFFINERIE — CHARLEROI DANSE, HOUSE OF CULTURE FAMENNE-ARDENNE, la roseraie.
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Document
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Document
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Adolescence, the age of desires, doubts, and dilemmas, a realm of uncertainties and transformations, is celebrated by the Nyash company. Drawing inspiration from "Prélude à l'après-midi d'un faune", it brings together poetry, music, and dance. From Mallarmé’s poem (1876) to Debussy’s score (1894) and Nijinsky’s choreography (1912), “Prélude à l'après-midi d'un faune” has made a mark in each of these disciplines. This legacy inspires the artistic team in their ode to the power of adolescence. What torments and questions does this faun, half-animal, half-human, express? What echoes—bursts, intoxications, blossoming—does it find in us today?
Leaving behind early childhood, the choreographer ventures into her first creation aimed at adolescents and pre-adolescents. With a scenography in shades and an immersive sound design infused with poetry, echoing Debussy's musical swirls in the present, "Je prends feu trop souvent " explores the duality and animality that inhabit the harsh age of transformations and roughness. But above all, it celebrates vibrant awakenings.